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The most racist aspect of this film for me is something that feels completely thought-out and intentional: the decision to not subtitle the words of anyone on the island, be they government officials, the deforestation group, or the cannibal tribe members.It plays out like a strategy to further alienate us from considering the possibility that they could be benevolent, rational, or human in any way. It opens on the image of two members of the tribe — a child and what I presume is his father — who come into conflict with the construction team and, then, cut to titles. Sadly, this is the probably the film’s most poignant moment, save one or two other similar instances along the way.Due to length, the conversation between our Editor-in-Chief, Max Weinstein, and Managing Editor, Joe Yanick, has been broken up into three installments.
At times, the comedy comes up short because the terror is too strong, at others, the terror isn’t there because the comedy is too out front.
Rather than present a typical review or a lengthy think piece, both of which have been done to death, felt that the subject deserved more of a discussion.
It’s a complicated film, not only because of its potentially offensive subject matter but simply because Roth’s films have always been polarizing.
Here is something I can’t quite wrap my head around: what are your thoughts on the idea that the only reason that Justine survives is because she is a virgin?
Which leads me to my one critique on the film’s racial connotations.
The one thing that really bothered me was that Alejandro’s girlfriend, Kara (Ignacia Allamand), seems only into it because she is — to put it crudely — fucking Alejandro.